1 The Lord of the Rings, 2001 (Fellowship), 2002 (Two Towers), 2003 (Return of the King)
Because of its tremendous and unprecedented scale, The Lord of the Rings trilogy is a huge success. Every film can use the splendor of computer-generated special effects as well as mind-numbing action to conceal a poor plot and boring characters. Only a very specific kind of film can use the same techniques to enhance an already moving film experience – for its visual splendor, this landmark trilogy is renowned as a perfectly realized image of courage, power, and eternal friendship.
Simultaneously, the films’ director, Peter Jackson, incorporates war-related themes like as loss, remorse, and pain. Unlike the other fantasy flicks, this one takes a bittersweet perspective. And this is precisely what makes it so compelling; despite the fact that Middle-earth is a foreign world to us, Jackson’s skilled hand made it feel so familiar to us, the viewers.
The trilogy is the embodiment of what it means to admire the world of cinema. These Oscar-winning films are evidence of love and devotion placed into each and every frame, with such attention to design elements at the level of a solid documentary and genuine emotions that became achievable owing to long hours of hard labor.
2 The Wizard of Oz, 1939
Even if you haven’t seen it, you’ve probably heard of it (which you probably have). The experiences of Dorothy and her amusing and sincere companions have remained a shared experience for many generations, and this is certain to continue for decades to come, with its iconic message “there’s no place like home.”
For good cause, the songs, like the personalities, have become a vital part of the national conscience. Even when Dorothy returns to the Kansas farm, the picture bursts with hope and delight in practically every moment.
We can’t talk about The Wizard of Oz without mentioning the amazing transition into gorgeous technicolor. Even though it wasn’t the first color film, it was a significant step forward.
In the eyes of entire generations, Oz became a land of vibrant greens, reds, and yellows. The picture demonstrated that the use of color was not a passing fad, and it paved the way for it to become the new and magnificent form of filmmaking.
3 King Kong, 1933
Many people still consider the original film about the big monster to be the finest, and understandably so. Who would have thought that someone could make stop-motion effects of that caliber in 1933? The audience was astounded; Hollywood had finally produced a film worthy of the big screen. It’s a fantastic adventure with a love story at its heart, but not between the characters you imagined.
In the deep woods of Skull Island, the famous narrative of a beauty and a beast is retold. Kong lusts after the attractive actress Ann Darrow (Fay Wray) and fights dinosaurs and time monstrosities to protect her. While more recent adaptations have presented Kong as a more sensitive creature for Ann, the original film used the word “monster” more frequently.
Ann is more of a treasure to the enormous creature here, and he desires her out of primordial greed. The first film King Kong established a new standard for Hollywood.
4 Toy Story, 1995
For the majority of us, childhood is connected with boundless imagination, gratitude, and the experiences we made with our toys. But what if the toys came to life while we weren’t using them? This brilliantly simple notion resulted in one of the best-animated flicks ever made. Andy, a young boy, has many toys, but his favorite is Woody, the courageous cowboy (brilliantly played by acclaimed actor Tom Hanks).
But soon after Andy’s birthday, a newcomer arrived: Buzz Lightyear, the brand-new space ranger (Tim Allen). Buzz forces Woody to have a full-fledged existential crisis: what is a toy supposed to do if Andy refuses to play with him? This intriguing notion is employed in Toy Story for a story about life’s meaning and real friendship.
Buzz considers these ideas as well. At first, he is unaware that he is merely a toy for a child to play with. They both encounter fatal problems, and the outcomes are both touching and amusing.